Set in early twentieth-century Montreal, it features two children, Rose and Pierrot, who are abandoned at birth and raised in an orphanage, where they suffer many cruelties but develop preternatural gifts for song and dance.
This attitude explains why on his Web site Heatherwick organizes his work not by type, the way most designers do, but simply in three groups: small, medium, and large.
The Rolling Bridge opens silently, and the whole process seems almost magical, as if the bridge were initiating the movement itself.
Both go from rags to riches and back again in a world of opium dens, hard-living chorus girls, and depressed clowns.
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Two years later, Heatherwick set up his own design studio, and he now employs a diverse team of forty-eight people, including a theatre designer, architects, product designers, and workshop technicians.